Indians Dancing round the Scalp of an Enemy Singing their War Song c 1822-1824 Peter Rindisbacher  Swiss, 1806 - 1834  pen and black ink with watercolour over graphite on ivory laid paper Purchased 2008 NGC (no. 42318)  Photo © NGC || Indiens dansant autour du scalp d'un ennemi en chantant leur chant de guerre, v. 1822-1824 Peter Rindisbacher  Suisse, 1806 - 1834  plume et encre noire avec aquarelle sur mine de plomb sur papier vergé ivoire Acheté en 2008 MBAC (nº 42318)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Martha Graham, Letter to the World (Kick), 1940 Barbara Morgan  American, 1900 - 1992  gelatin silver print 38.6 x 48.2 cm Purchased 2008 National Gallery of Canada (no. 42338)  Photo © NGC || Martha Graham, Lettre au monde (Le battement ), 1940 Barbara Morgan  États-Unis, 1900 - 1992  épreuve à la gélatine argentique 38,6 x 48,2 cm Acheté en 2008 Musée des beaux-arts du Canada (nº 42338)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

The Harbour, St. John's, Newfoundland, c. 1787 James Peachey  British - 1797  watercolour with pen and black ink over graphite on ivory laid paper 46.4 x 75.5 cm; image: 39.9 x 69.1 cm Purchased 2008 NGC (no. 42321)  Photo © NGC || Le port, St. John's, Terre-Neuve, v. 1787 James Peachey  Grande-Bretagne - 1797  aquarelle avec plume et encre noire sur mine de plomb sur papier vergé ivoire 46,4 x 75,5 cm; image: 39,9 x 69,1 cm Acheté en 2008 MBAC (nº 42321)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Rebecca Byles Almon, c. 1810 Robert Field  British, 1769 - 1819  oil on canvas 60.9 x 50.7 cm Purchased 2008 National Gallery of Canada (no. 42313)  Photo © NGC || Rebecca Byles Almon, v. 1810 Robert Field  Grande-Bretagne, 1769 - 1819  huile sur toile 60,9 x 50,7 cm Acheté en 2008 Musée des beaux-arts du Canada (nº 42313)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Archibald Lampman, 1903 R. Tait McKenzie  Canadian, 1867 - 1938  bronze 30 cm diameter Gift of Margot L. Johnston, Ottawa, 2008 National Gallery of Canada (no. 42516)  Photo © NGC || Archibald Lampman, 1903 R. Tait McKenzie  Canada, 1867 - 1938  bronze 30 cm de diamètre Don de Margot L. Johnston, Ottawa, 2008 Musée des beaux-arts du Canada (nº 42516)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Thinking Caps, 1999 Shelley Niro  Canadian, 1954  mixed media installation installation dimensions variable Purchased 2008 National Gallery of Canada (no. 42339.1-4)  Photo © NGC || Chapeaux activateurs de pensées, 1999 Shelley Niro  Canada, 1954  installation d'objets et matériaux divers installation aux dimensions variable Acheté en 2008 Musée des beaux-arts du Canada (nº 42339.1-4)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

The Building of Troy, 1772 Jean-Baptiste Le Prince  French, 1734 - 1781  grey and black ink with watercolour and gouache on ivory laid paper 33 x 47.5 cm Purchased 2008 National Gallery of Canada (no. 42298)  Photo © NGC || La construction de Troie, 1772 Jean-Baptiste Le Prince  France, 1734 - 1781  encre grise et noire avec aquarelle et gouache sur papier vergé ivoire 33 x 47,5 cm Acheté en 2008 Musée des beaux-arts du Canada (nº 42298)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Sauvage, 1988 Carl Beam  Canadian, 1943 - 2005  mixed media on acrylic panel with painted wood and found object (rifle) 308 x 190.9 x 15 cm with integral frame Purchased 2008 National Gallery of Canada (no. 42447)  Photo © NGC, ©CARCC || Sauvage, 1988 Carl Beam  Canada, 1943 - 2005  matériaux divers sur panneau en acrylique avec bois peint et objet trouvé (carabine) 308 x 190,9 x 15 cm avec cadre intégral Acheté en 2008 Musée des beaux-arts du Canada (nº 42447)  Photo © MBAC, ©CARCC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

What Will Come, 2007, William Kentridge ||

What Will Come, William Kentridge

Quality Photo Lab, 1300 Cahuenga Blvd., Los Angeles || Quality Photo Lab, 1300 boulevard Cahuenga, Los Angeles, 2008

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

A Bicycle Trip along the Cowichan, 1895 Emily Carr  Canadian, 1871 - 1945  sketchbook with blue paper covers Purchased 2008 NGC (no. 42433.1-12)  Photo © NGC || Une excursion en bicyclette sur la Cowichan, 1895 Canada, 1871 - 1945  carnet de croquis à couverture bleue Acheté en 2008 MBAC (nº 42433.1-12)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Untitled, 1936 Ei-Q  Japanese, 1911 - 1960  gelatin silver print 25.2 x 30.2 cm Purchased 2008 National Gallery of Canada (no. 42317)  Photo © NGC || Sans titre, 1936 Ei-Q  Japon, 1911 - 1960  épreuve à la gélatine argentique 25,2 x 30,2 cm Acheté 2008 Musée des beaux-arts du Canada (nº 42317)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Summer Scene, 1945 B.C. Binning  Canadian, 1909 - 1976  pen with black and coloured ink on ivory wove paper 45.6 x 61.2 cm Gift of the Estate of Jessie Binning, Vancouver, 2008 National Gallery of Canada (no. 42389)  Photo © NGC ||Scène d'été, 1945 B.C. Binning  Canada, 1909 - 1976  plume avec encre noire et encre de couleur sur papier vélin ivoire 45,6 x 61,2 cm Don de la succession de Jessie Binning, Vancouver, 2008 Musée des beaux-arts du Canada (nº 42389)  Photo © MBAC

The National Gallery of Canada strives to provide Canadians with a sense of identity and pride in Canada’s rich visual arts heritage and to make art accessible, meaningful and vital to diverse audiences of all ages.

Sans titre (chevalet), 2007 Lynne Cohen || Untitled (easel), 2007 Lynne Cohen

Sans titre (chevalet), 2007 Lynne Cohen || Untitled (easel), 2007 Lynne Cohen

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