Explore Theatre Stage, Theatre Rooms, and more!

Explore related topics

The design itself was fairly simple – they went out to some woods behind the church, cut down a few moderately sized trees and painted them white with a Wagner power sprayer. Then they took each tree and supported it using cement in a one gallon paint bucket. The windows were hung from one another using airline cable and were arranged in a curve to make the stage appear smaller.

a few moderately sized trees and painted them white with a power sprayer. supported it using cement in a one gallon paint bucket. The windows were hung from one another using airline cable and were arranged in a curve to make the stage appear smaller.

June-July 2014 - Theatre Set Design for Stage / Wimbledon College of ...

June-July 2014 - Theatre Set Design for Stage / Wimbledon College of Arts / Closed for registration

Doubt. The Alliance Theatre Company. Set design by Todd Rosenthal.

Doubt The Alliance Theatre Company Director-Susan Booth Set Design-Todd Rosenthal Costume Design-Mariann Verheyen Lighting Design-Deb Sullivan

marniaportal: “ Theatr Genedlaethol Cymru - Sgint Director: Arwel Gruffydd - Designer: Cai Dyfan - Lighting Designer: Elanor Higgins ”

Theatr Genedlaethol Cymru - Sgint Director: Arwel Gruffydd - Designer: Cai Dyfan - Lighting Designer: Elanor Higgins Do with rendered walls.

3603e65c43848dc1eb21c3de57e1d3c9.jpg 944×606 píxeles

Trifles and a doll's house essay Minnie Wright and Nora Helmer are women living very different lifestyles. One is living the arduous life of a farmer’s wife while the other is enjoying the fruits.

Scénographie "Un jeune homme pressé" Eugène Labiche Set design

This image gives off a mysterious and almost frightening feeling. I like the use of shadows that the two walls create, as well as the gobo in the instrument

Susannah. San Francisco Opera. Scenic design and projections by Erhard Rom. Lighting by Gary Marder.

Scenic design and projections by Erhard Rom. Lighting by Gary Marder.

Pinterest
Search