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Devon Anne Thom Canadá, 1985  La geometría es una constante fuente de inspiración para mi práctica. Mi obra en desarrollo se ve influenciada por la geometría de estructuras cristalinas. Aprecio cómo el material parece ser gemas rugosas desorganizadas y aparentemente al azar, aunque a nivel microscópico los cristales estén formados por moléculas que se repiten y se distribuyen en configuraciones geométricas perfectas.

Devon Anne Thom Canadá, 1985 La geometría es una constante fuente de inspiración para mi práctica. Mi obra en desarrollo se ve influenciada por la geometría de estructuras cristalinas. Aprecio cómo el material parece ser gemas rugosas desorganizadas y aparentemente al azar, aunque a nivel microscópico los cristales estén formados por moléculas que se repiten y se distribuyen en configuraciones geométricas perfectas.

Aric Verrastro Neckpiece: Timekeepers: Progress, 2014 Driftwood, PLA, sterling silver, rubber, found objects, copper, acrylic paint, ink 51 x 10 x 6.5 cm

Aric Verrastro Neckpiece: Timekeepers: Progress, 2014 Driftwood, PLA, sterling silver, rubber, found objects, copper, acrylic paint, ink 51 x 10 x 6.5 cm

Iris Bodemer  Neckpiece: Untitled 2008  Obsidian, glass, gold 750, wool  - From the work Ingredients

Iris Bodemer Neckpiece: Untitled 2008 Obsidian, glass, gold wool - From the work Ingredients

Sinead Cooke | “I make contemporary art jewelry that combines traditional skills and materials with re-purposed waste materials to create work that is both beautiful and thought provoking. In this body of work I was examining the ideas around material value. Informed by our consumer society, this collection of work exposes the possibilities that waste material has to offer. Mixing discarded packaging with silver further investigates notions of value. Through materiality and form, I am…

Sinead Cooke | “I make contemporary art jewelry that combines traditional skills and materials with re-purposed waste materials to create work that is both beautiful and thought provoking. In this body of work I was examining the ideas around material value. Informed by our consumer society, this collection of work exposes the possibilities that waste material has to offer. Mixing discarded packaging with silver further investigates notions of value. Through materiality and form, I am…

Hanna Hedman

Jewelry pieces from Swedish designer Hanna Hedman are like boundary between the real world and imaginary.

Mirjam Hiller - apparat

Mirjam Hiller - 'Necklace Staves Red' from Heaps and Crystals Series - Powder coated Steel.

Jasmin Matzakow Necklace: Memories of healing 4, 2015 Burned lime wood, Shibuichi silver Photo by: Georgios Kokolatos

Jasmin Matzakow Necklace: Memories of healing 2015 Burned lime wood, Shibuichi silver Photo by: Georgios Kokolatos

52 Likes, 2 Comments - Carla (@carlagarciadurlan) on Instagram: “Relámpago 2017 Broche Tela sintética, alpaca, madera, metacrilato, pintura acrílica. // Flash…”

52 Likes, 2 Comments - Carla (@carlagarciadurlan) on Instagram: “Relámpago 2017 Broche Tela sintética, alpaca, madera, metacrilato, pintura acrílica. // Flash…”

ismini pachi jewelry - "Arcturos" neckpiece - https://www.facebook.com/media/set/?set=ms.c.eJw1yskNwDAMA8GOAlI3~_2~%3BMiGA~%3BB7uC2oPIbpjNp7XHGvEsC6~_pus4R4Um~%3BLvt~%3B9uvi~%3BowDo38TaA~-~-.bps.a.725311914212449.1073741837.549161031827539&type=3

ismini pachi jewelry - "Arcturos" neckpiece - https://www.facebook.com/media/set/?set=ms.c.eJw1yskNwDAMA8GOAlI3~_2~%3BMiGA~%3BB7uC2oPIbpjNp7XHGvEsC6~_pus4R4Um~%3BLvt~%3B9uvi~%3BowDo38TaA~-~-.bps.a.725311914212449.1073741837.549161031827539&type=3

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