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1957 Doo Wop 45 Rpm Don Julian & The Meadowlarks HEAVEN & PARADISE On DooTo 359.. Don Julian & the Meadowlarks' biggest hits were the L.A.-area hit "Please (Say You Love Me)" and "The Jerk" for John Dolphin's Money label, which came not only with dance steps of its own, but Julian's encouraging lyrical instructions. Unlike many teenagers, Julian grew up in a non-musical family, and didn't sing in the church choir or have any formal vocal training to speak of.

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1957 Doo Wop 45 Rpm Don Julian & The Meadowlarks HEAVEN & PARADISE On DooTo 359.. Don Julian & the Meadowlarks' biggest hits were the L.A.-area hit "Please (Say You Love Me)" and "The Jerk" for John Dolphin's Money label, which came not only with dance steps of its own, but Julian's encouraging lyrical instructions. Unlike many teenagers, Julian grew up in a non-musical family, and didn't sing in the church choir or have any formal vocal training to speak of.

1956 Doo Wop 45 Rpm The Wheels MY HEART'S DESIRE / LET'S HAVE A BALL On Premium 405.. This group was managed by Allen Bunn, Former member of the Larks on Apollo. Bunn would sometimes record with the Wheels. It was Bunn who brought the group to Joe Liebowitz, Owner of Premium, in 1955. In addition to their recordings for Premium, They Also became the Studio Group for the New Jersey-Based Label. They Backed up Vicki Carr, Gloria Lynne and Arthur Lake at Premium.

1956 Doo Wop 45 Rpm The Wheels MY HEART'S DESIRE / LET'S HAVE A BALL On Premium 405.. This group was managed by Allen Bunn, Former member of the Larks on Apollo. Bunn would sometimes record with the Wheels. It was Bunn who brought the group to Joe Liebowitz, Owner of Premium, in 1955. In addition to their recordings for Premium, They Also became the Studio Group for the New Jersey-Based Label. They Backed up Vicki Carr, Gloria Lynne and Arthur Lake at Premium.

1961 Doo Wop 45 Rpm Supremes Four I LOVE YOU PATRICIA / I LOST MY JOB AND I'VE GOT TO FIND ANOTHER On Sara 1032. VERY RARE DOO WOP

1961 Doo Wop 45 Rpm Supremes Four I LOVE YOU PATRICIA / I LOST MY JOB AND I'VE GOT TO FIND ANOTHER On Sara 1032. VERY RARE DOO WOP

1958 Doo Wop 45 Rpm The Voxpoppers COME BACK LITTLE GIRL / LOVE TO LAST A LIFETIME On Poplar 107

1958 Doo Wop 45 Rpm The Voxpoppers COME BACK LITTLE GIRL / LOVE TO LAST A LIFETIME On Poplar 107

1961 Doo Wop 45 Rpm Little Caesar & The Romans HULLY GULLY AGAIN / FRANKIE AND JOHNNIE On Del-Fi 4164..

1961 Doo Wop 45 Rpm Little Caesar & The Romans HULLY GULLY AGAIN / FRANKIE AND JOHNNIE On Del-Fi 4164..

1962 Doo Wop 45 Rpm The pentagons TO BE LOVED FOREVER / DOWN AT THE BEACH On Donna 1337..

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1962 Doo Wop 45 Rpm The pentagons TO BE LOVED FOREVER / DOWN AT THE BEACH On Donna 1337..

1961 Doo Wop 45 Rpm The Love Notes OUR SONGS OF LOVE / NANCY MY LOVE On Wilshire 200

1961 Doo Wop 45 Rpm The Love Notes OUR SONGS OF LOVE / NANCY MY LOVE On Wilshire 200

1963 Doo Wop 45 Rpm The Earls NEVER / I KEEP TELLIN YOU On Old Town 1133.. Among the more revered white doo wop groups, the Earls began as the High Hatters. They formed in 1957 at the Tecumseh Social Club in the Bronx. Lead vocalist Larry Figueiredo changed his name to Larry Chance; he was joined by Bob Del Din, Eddie Harder, Larry Palumbo, and Jack Wray. They started recording for Rome in 1961. They scored their lone hit in 1963 with "Remember Then" for Old Town.

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1963 Doo Wop 45 Rpm The Earls NEVER / I KEEP TELLIN YOU On Old Town 1133.. Among the more revered white doo wop groups, the Earls began as the High Hatters. They formed in 1957 at the Tecumseh Social Club in the Bronx. Lead vocalist Larry Figueiredo changed his name to Larry Chance; he was joined by Bob Del Din, Eddie Harder, Larry Palumbo, and Jack Wray. They started recording for Rome in 1961. They scored their lone hit in 1963 with "Remember Then" for Old Town.

They were a quintet hailing from Brooklyn, New York. Jimmy Weston was the lead singer, and the group was named after their manager, Danny Webb, who wrote their most famous number, "One Summer Night".

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They were a quintet hailing from Brooklyn, New York. Jimmy Weston was the lead singer, and the group was named after their manager, Danny Webb, who wrote their most famous number, "One Summer Night".

1961 Doo Wop 45 Rpm The Chants DICK TRACY / CHOO CHOO On Verve 10244

1961 Doo Wop 45 Rpm The Chants DICK TRACY / CHOO CHOO On Verve 10244

1955 R & B 45 Rpm Marvin & Johnny LET ME KNOW / AIN'T THAT RIGHT On Modern 974.. One of the first notable rhythm & blues duos, Marvin & Johnny weren't so much a permanent act as Marvin Phillips (b. Oct. 23, 1931) and several partners that he would name "Johnny." Although Emory Perry was the most frequent of these, Phillips also duetted with Jesse Belvin (making number two in the R&B chart, as Jesse & Marvin, with "Dream Girl"), Carl Green, and others, though Phillips called Perry "my main…

1955 R & B 45 Rpm Marvin & Johnny LET ME KNOW / AIN'T THAT RIGHT On Modern 974.. One of the first notable rhythm & blues duos, Marvin & Johnny weren't so much a permanent act as Marvin Phillips (b. Oct. 23, 1931) and several partners that he would name "Johnny." Although Emory Perry was the most frequent of these, Phillips also duetted with Jesse Belvin (making number two in the R&B chart, as Jesse & Marvin, with "Dream Girl"), Carl Green, and others, though Phillips called Perry "my main…

1956 45 Rpm Robert & Johnny YOU'RE MINE / MILLION DOLLAR BILS On Old Town 1029.. A Bronx duo remembered for "We Belong Together," a beautiful harmony ballad that made the Top 40 in 1958, Robert Carr and Johnny Mitchell made about a dozen singles for the Old Town label in the late '50s and early '60s, none of which made remotely as much impact. As one-hit doo wop wonders go, though, they were more interesting than most.

1956 45 Rpm Robert & Johnny YOU'RE MINE / MILLION DOLLAR BILS On Old Town 1029.. A Bronx duo remembered for "We Belong Together," a beautiful harmony ballad that made the Top 40 in 1958, Robert Carr and Johnny Mitchell made about a dozen singles for the Old Town label in the late '50s and early '60s, none of which made remotely as much impact. As one-hit doo wop wonders go, though, they were more interesting than most.

1954 Doo Wop 45 Rpm The Drifters WHITE CHRISTMAS / BELLS OF ST. MARY'S On Atlantic 1048.Honey-voiced giants of Doo Wop and vocal R&B noted for a string of hits between '59 and '64.

1954 Doo Wop 45 Rpm The Drifters WHITE CHRISTMAS / BELLS OF ST. MARY'S On Atlantic 1048.Honey-voiced giants of Doo Wop and vocal R&B noted for a string of hits between '59 and '64.

1958 Doo Wop 45 Rpm Three Playmates SUGAH WOOGA / LOVEY DOVEY PAIR On Savoy 1528 #ClassicRBDooWopSoul

1958 Doo Wop 45 Rpm Three Playmates SUGAH WOOGA / LOVEY DOVEY PAIR On Savoy 1528 #ClassicRBDooWopSoul

The Five Satins are best known for the doo wop classic "In the Still of the Night," a song that was popular enough to make the group one of the most famous doo wop outfits, although they never had another hit of the same magnitude. The origins of The Five Satins lie in the Scarlets, a New Haven, CT, doo wop group led by Fred Parris. the Scarlets formed in 1953, while Parris was still in high school.

1956 Doo Wop 45 Rpm Five Satins IN THE STILL OF THE NIGHT / JONES GIRL Brown Wax

The Five Satins are best known for the doo wop classic "In the Still of the Night," a song that was popular enough to make the group one of the most famous doo wop outfits, although they never had another hit of the same magnitude. The origins of The Five Satins lie in the Scarlets, a New Haven, CT, doo wop group led by Fred Parris. the Scarlets formed in 1953, while Parris was still in high school.

1956 DOO WOP 45 Rpm The Moonglows SEE SAW / WHEN I'M WITH YOU On Chess 1629.. The Moonglows were among the most important R&B groups of the 1950s, despite the fact that they only had a handful of hits among fewer than 50 recorded songs, in a history that lasted just six years, in sharp contrast to such acts as the Orioles and the Drifters, who were together across decades and recorded huge bodies of work.

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1956 DOO WOP 45 Rpm The Moonglows SEE SAW / WHEN I'M WITH YOU On Chess 1629.. The Moonglows were among the most important R&B groups of the 1950s, despite the fact that they only had a handful of hits among fewer than 50 recorded songs, in a history that lasted just six years, in sharp contrast to such acts as the Orioles and the Drifters, who were together across decades and recorded huge bodies of work.

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