Josh Dorman is a collector of maps, manuals, textbooks that predate photography, and generally ‘paper that has lived a life and shows its age’. He is compelled to paint by systems he does not understand and information that has lost its relevance. Likewise, he paints to see things that would not otherwise exist. His greatest artistic inspirations including Klee, Redon, Turner, and Breughel. Chinese ink landscapes do not feel distant or ancient to him but ever-present, and Dorman finds it…
